August 2019. Back from Congo. Swimming and drowning in my colonial and genetic inheritances. Artists Residency in Campo. Preparing for Bamama performance on 28 November in the framework of wipcoop by Mestizo Arts Platform.
During my last week in Cape Town I was able to visit and interview doctors, researchers and students at Grote Schuur hospital. They were taking part in a joint project between three universities in South Africa and three in Europe as part of the Caring Society project (CaSo: https://www.caringsociety.eu/). Some of these students were Experiential experts or patient partners: people who have experience of the medical profession in South Africa as patients and who in turn help to shape the patient experience and train doctors, nurses and health professionals to improve patient care. This applies especially to vulnerable communities of mainly black and mixed race people situated out of the city bowl and people living in poverty. It was fascinating to talk to people involved in this project and hear more about their perspectives on South Africa. Access to health care remains a big problem in South Africa for the majority of the population, who cannot afford private medical insurance.
I could not talk to all the patient partners when I was there so I am over the moon when they plan a study trip to The Netherlands and Belgium. I meet them at Karel de Grote Hogeschool in Antwerp and I set up my recording equipment. I plan to share my story with them about my father and my childhood as a white girl born and living in South Africa in the 1970’s and 1980’s and going to boarding school in the UK as a teenager: Inheriting the Empire, which you can listen to on this blog on an earlier post. https://migratingdialogues.org/pilot-01-inheriting-the-empire/
Thats when it hits me. These visitors are actually South African! Shit! I am in a room full of South Africans, black and mixed race women and men in their 40’s, 50’s and 60’s who have experienced Apartheid first hand, one other white woman and several young black women in their 20’s who were born after the end of Apartheid. Here I am about to share my story about white privilege in South Africa, under apartheid, including an interview with my dad, news clips, statistics, laws,… to a whole group of South Africans. My legs are jelly as I press play. I sit on my hands at the side of the room, undeniably nervous.
Afterwards there is a long silence. it feels like an eon. People need time to let what they have heard sink in. I try to breathe and fiddle with my tripod. My first questions are fumbling, statements instead of questions or three questions in one,…i cannot seem to find my flow. When it gets going however, the dialogue that ensues encompasses the personal, the political, it spans generations and takes us from the past into the future. People share their own experiences of living under apartheid as a black person: the bureaucracy of trying to get housing, the forced removals to the so called ‘Homelands’, the separation of families. People share their hopes for the future of South Africa, their love of the country as it is and could be.
One story particularly resonates with me as it forms a mirror to my own. A woman was living with her children in a ‘Homeland’ while her husband had to travel to work in the mine across the country. As a black man he alway had to get permissions and passes, this meant he could hardly visit them and she could never visit him, so they were separated for years. This was part of a conscious tactic of mine companies under British colonial rule and later law under apartheid. Black mine workers were kept separated from their families in labour camps near the mine as a constant source of cheap labour. In the audio story I have just shared, my father explains that he chose to work in South Africa in 1970 specifically because, as a white man, he could keep his wife and family near by. The white privilege of my family is mirrored by the oppression and segregation of black families at the same moment in time.
After I turned the recorder off and people were heading to get some lunch, a black woman my age came up to me and began talking about visiting her mother as a child. Her mother was working as a housekeeper for a white family. She told me how she had to sit outside, eat outside, wasn’t allowed in. I saw myself sitting at the breakfast bar in our kitchen in Johannesburg eating papaya or cornflakes. I saw this woman, my contemporary, imagining her sitting outside our kitchen in the yard at the back of our house where our housekeeper lived during the week. Time slowed down as we sat talking to each other. it was an extraordinary moment, to meet her, to talk to her, to exchange stories from childhoods on opposite sides of the Apartheid segregation and to acknowledge each others humanity, without shame (on my part) or anger (on hers), but also without brushing it under the carpet and pretending it is ok. It is not ok, it never will be.
I would like to thank all the Patient Partners, members of staff and students of Grote Schuur hospital in Cape Town, my colleagues at Karel De Grote Hogeschool involved in the CaSo project. Thankyou for your time, interest and participation in Migrating Dialogues.
Photo 2: painting: ‘Mine Shaft’ by Sydney Carter (1874-1945) collection South African National Gallery, taken while visiting.
Photo 3 and 4: performance /video artwork by Lerato Shadi: ‘MMITLWA’ (Mmitlwa meaning thorn in Setswana), collection South African National Gallery, taken while visiting and from artists own website: http://leratoshadi.art/3
At 11u on 11 november 2018, Migrating Dialogues will be diving into a military bunker in the provincial domain Raversyde in Ostend during the slot weekend of KAAP’s UN/SETTLED festival.
Exactly 100 years after the eind of the First World war we will be examining the borders of the future. Come and watch and listen to our new story: Ladies Choice.
Ladies Choice is a conversation between My mother, a friend and I about being an expat, setting boundries, fighting old patterns and the sea. How do we carry our paet into our future? Which smells, sounds and images travel with us?
We will be performing in a military bunker right on the edge of the sea. It will be a totally unique experience – a one time only experience. so make sure you reserve a seat (places are limited).
jYou can reserve a ticket here: https://unsettled.
For more about UN/SETTLED festival kijk je op: https://unsettled.kaap.be/
#KAAP, #UNSETTLED, #eych2018, #
Ladies’ choice: A performance about displacement, decolonising your past and looking at the borders of the future.
For this performance Rona Kennedy enters into dialogue with her mother Audrey and her friend Lola. They talk about drawing lines in the sand, shaking scorpions out of your shoes, learning new languages and unpacking boxes. They dance, sing and ask questions to the sea. They are digging for memories, self justifications and blind spots. They are expats, but exactly does that mean?
This performance is part of Migrating Dialogues, a story-project about migration, power and privilege. The makers invite you to share stories and so join a collective process of thinking about displacement, decolonisation and taboo.
Where do you draw the line?
We are excited to be taking part in this superb festival in Ostend and Bruges this summer and autumn: UN/SETTLED at KAAP arts centre. Its a festival about the feeling of being unsettled, not belonging, being on the move,…Migrating Dialogues feels perfectly at home in this journey.
Our audiovisual installations will be in Vrijstaat 0 between 20-25 August and we will be there for Intimate storytelling sessions on 25 August.
We will be performing intimate stories in a first world war military bunker at the sea in Ostend on 11 november for small and select publics during the day.
looking forward to seeing you there!
FAHREN: Rona, Fabian en Helena
We Did it! When we say that, we mean YOU DID IT!
Thankyou for supporting our first crowdfunding project.
We raised more than 100% of our goal of 2400€. With 76 supporters we raised 107% We will use it wisely to get ourselves set up and get the next podcasts made!
We will be organising exclusive dates for our supporters to take part in our audio visual installation and dialogue sessions. We will be sending postcard sets to supporters and looking forward to entering into migrating dialogues with you all!
Fabian leaves for Chile and Paraguay this week with his recording equipment and a bag full of questions (and Belgian chocolate).
In july we will be going on a short residency at KAAP, a comtemporary arts centre in Bruge/Oostend to rework our materiaal and to take part in their festival UN/SETTLED.
Thanks again for your support!
FAHREN collective: FABIAN, RONA, HELENA
Our audiovisual-installation @ BOM Festival. 10 & 11 may.
The full programa (in Dutch):
More info (in Dutch): debom.be